Showing posts with label alternative rock. Show all posts
Showing posts with label alternative rock. Show all posts

Happy Mondays - Pills 'n' Thrills and Bellyaches[1990]



Pills 'n' Thrills and Bellyaches was the third album by British band Happy Mondays. It was released in 1990 and was produced by Paul Oakenfold and Steve Osborne at Eden Studios in London.
In 2000
Q magazine placed Pills 'n' Thrills and Bellyaches at number 31 in its list of the 100 Greatest British Albums Ever. In 2005, the album was voted the 51st greatest album of all time by Channel 4 viewers.
Cover artwork by
Central Station Design.
In November 2007 the album was rereleased by Rhino records with extra tracks and a DVD of music videos.



"Kinky Afro" – 3:59
"God's Cop" – 4:58
"Donovan" – 4:04
"Grandbag's Funeral" – 3:20
"Loose Fit" – 5:07
"Dennis and Lois" – 4:24
"Bob's Yer Uncle" – 5:10
"
Step On" (John Kongos, Christos Demetriou) – 5:17
"Holiday" – 3:28
"Harmony" – 4:01

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The Charlatans - Some Friendly

Some Friendly is the debut album by the British band The Charlatans (known in the United States as The Charlatans UK because of the 1960s San Francisco band The Charlatans), released in 1990 (see 1990 in music).
Recorded at The Windings near
Wrexham, Wales in 1990 the sessions proved somewhat fraught - the band fell out with the owners of the studio; "it was one of those studio bust-ups ... Rob and Martin were up to their old tricks, smashing stuff up and that" said singer Tim Burgess later.
However lack of songs proved to be the major problem. Having been together for less than a year the band hadn't had the opportunity to stockpile songs and the album suffered as a result, featuring a few tracks that "had to go on there just to make up the numbers" (Burgess again).
The band also felt that some songs (especially "White Shirt" and "Polar Bear") were overproduced, with the bass being lost in the mix and that the whole album sounded rather 'thin'.
Both "The Only One I Know" and "Then" provided the Charlatans with hit singles however (peaking at #9 and #12 respectively in the British pop charts) and sales were good all over the world especially in the bands native
UK where the album went straight in at #1 in the album charts.(wikipedia)


"You're Not Very Well" (Baker, Blunt, Brookes, Burgess, Collins) – 3:31
"White Shirt" (Blunt, Burgess, Collins) – 3:25
"The Only One I Know" (Baker, Blunt, Brookes, Burgess, R. Collins) – 3:58
"Opportunity" (Blunt, Brookes, Burgess) – 6:41
"Then" (Blunt, Brookes, Burgess, Collins) – 4:11
"109 Pt.2" (Blunt, Brookes, Burgess, Collins) – 3:18
"Polar Bear" (Baker, Blunt, Brookes, Burgess, Collins) – 4:56
"Believe You Me" (Blunt, Brookes, Burgess, Collins) – 3:41
"Flower" (Baker, Blunt, Burgess, Collins) – 5:27
"Sonic" (Brookes, Burgess, Collins) – 3:32
"Sproston Green" (Baker, Blunt, Burgess, Collins) – 5:08

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Suede - Dog Man Star



Original Release Date: October 25, 1994


1. Introducing The Band


2. We Are The Pigs


3. Heroine


4. The Wild Ones


5. Daddy’s Speeding


6. The Power


7. New Generation


8. This Hollywood Life


9. The 2 Of Us


10. Black Or Blue


11. The Asphalt World


12. Still Life13. Modern Boys

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Radiohead - Pablo Honey



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Pulp - different class


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Ocean Colour Scene - Moseley Shoals


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Oasis - (What's the Story) Morning Glory?


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Blur - Modern Life Is Rubbish (1993)


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The Smiths-The Queen Is Dead[1986]


All songs written by Morrissey and Johnny Marr, except "Take Me Back to Dear Old Blighty" (used as an intro to "The Queen Is Dead"), written by A.J. Mills, Fred Godfrey and Bennett Scott.


"The Queen Is Dead" – 6:24
"Frankly, Mr Shankly" – 2:17
"I Know It's Over" – 5:48
"Never Had No One Ever" – 3:36
"Cemetry Gates" – 2:39
"Bigmouth Strikes Again" – 3:12
"
The Boy with the Thorn in His Side" – 3:15
"Vicar in a Tutu" – 2:21
"
There Is a Light That Never Goes Out" – 4:02
"Some Girls Are Bigger Than Others" – 3:14

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The Stone Roses - The Stone Roses [UK][1989]


The Stone Roses had been formed in 1984, yet 1989 saw their debut full length release (the band had released a handful of singles in the previous years, on a variety of labels). The band were from Manchester where the Madchester movement was centred. Despite not considering themselves as a Madchester group, with their eponymous début The Stone Roses found themselves riding a wave of nationwide success along with Madchester groups such as the Inspiral Carpets and Happy Mondays. The Roses recorded the album with John Leckie, a notable producer who had worked with Pink Floyd on Meddle and it was released by Silvertone, a division of Zomba Records created to work with what they called "new rock" acts.
The Roses played a number of gigs supporting the album, including several now regarded as "legendary", including one at what was arguably the centre of the "Baggy"/"Madchester" scene,
The Haçienda nightclub. Andrew Collins wrote in NME: "BOLLOCKS TO Morrissey at Wolverhampton, to The Sundays at The Falcon, to PWEI at Brixton - I'm already drafting a letter to my grandchildren telling them that I saw The Stone Roses at the Hacienda." The Roses' 1990 Spike Island gig also holds a formidable reputation, organised by the band themselves and attended by over 27,000 fans.
On its tenth anniversary in 1999, a two-disc anniversary edition of The Stone Roses re-entered the British charts, reaching number 9. (wikipedia )


"I Wanna Be Adored" – 4:52
"
She Bangs the Drums" – 3:42
"
Waterfall" – 4:37
"Don't Stop" – 5:17
"Bye Bye Badman" – 4:00
"Elizabeth My Dear" – 0:59
"(Song for My) Sugar Spun Sister" – 3:25
"
Made of Stone" – 4:10
"Shoot You Down" – 4:10
"This Is the One" – 4:58
"
I Am the Resurrection" – 8:12

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Suede - Coming Up [1996]

Brett Anderson carried on after Bernard Butler's departure, adding a teenage guitarist and restructuring the intent of Suede, if not the sound, for their third album, Coming Up. The most striking thing about Coming Up is the simplicity. Gone are the grand, sweeping gestures of both Suede and Dog Man Star, leaving behind the glam, which is now spiked with an invigorating sense of self-belief -- Anderson is out to prove that he's a survivor, and he does give a damn whether you believe he is or not. So Coming Up has none of the lush, melancholy, and paranoid overtones of Dog Man Star. It's about celebrating being young, going out, taking drugs, having sex, and living life. And it sounds just like it reads -- Richard Oakes pounds out fizzy, fuzzy guitar riffs while the rhythm section lays back with dirty, sexy grooves and new keyboardist Neil Godling exudes a sultry, unattainable cool. Even on the wistful ballads "By the Sea" and "Picnic by the Motorway," there's none of the enveloping mel...ancholy that consumed Dog Man Star -- they're as optimistic as the buoyant, melodic rockers that comprise the rest of the album. As a statement of purpose, Coming Up is unimpeachable. Though it doesn't break any new ground for the band -- unless you count the newfound sense of optimism -- it's a remarkable consolidation and crystallization of Suede's talents and all the evidence anyone needs that Brett Anderson was always the guiding force behind the band. - Stephen Thomas Erlewine, All Music Guide

1. Trash

2. Filmstar

3. Lazy

4. By The Sea

5. She

6. Beautiful Ones

7. Starcrazy

8. Picnic By The Motorway

9. Chemistry Between Us

10. Saturday Night

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